Emery: Apart from Incredibly Hot Sex with Hideous People, what are some of the important zines that have come out of NZ?
Galloway: Ha ha… that I might be important!?!? The things that could conceivably make my zine important are its longevity (14 years / 57 issues) and the fact that it inspired a young Kylie Buck to get into zines and go on to start Wellington Zinefest. Hopefully its a quality zine, but there are plenty of quality zines out there. David Merritt is also notable for the longevity of his project (poetry in up-cycled book covers and banana boxes) as is Hamish Win's John Dory Report, also in its 57th issue. It's wonderful how different these three titles are. Other titles are often more fleeting but just as good. Look to any of the Best Of Fest competitions for some qualifying clues. The very recent Hamilton Zinefest 2015 was won by Makyla Curtis's wonderfully poetic The Great Goatsby. Matt Black's Objet Da Da - an extended taxonomy of found objects - came in second. Vincent Konrad's The Newest Yorker came in third for its painfully pithy cartoons.
Emery: What were the most difficult parts of documenting the NZ Zine scene?
Galloway: It was easy to start but the quick turn around one hopes for with zines soon became elusive, as I tried to find out the names of all zinefest organizers over the years, or find out about the comics and anarchist scenes I've known comparatively little about.
Emery: Where can folk get a copy of the latest issue of Incredibly Hot Sex with Hideous People?
Galloway: People can check out all my wares at Incredibly Hot Sex with Hideous People and write to me. In Melbourne there's Sticky, Black Star Books - Ōtepoti, Auteur House - Hamilton, Audio Foundation - Auckland, and in my hometown of Wellington I often get them to numerous venues.